Dr. Padma Subrahmanyam’s Karana Prakaranam


500.00650.00

1.Introduction Ragam: – Talam: – Composer: 2.Anga – Siro Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 3.Anga – Uro Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 4.Anga – Parsva Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 5.Anga – Kati Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 6.Anga – Pada Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 7.Sarira Upanga – Uru Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 8.Sarira Upanga – Janu Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 9.Sarira Upanga – Jangha Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 10.Sthana Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 11.Sakha – Asamyuta Hasta Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 12.Sakha – Samyuta Hasta Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 13.Sakha – Hasta Karana Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 14.Sakha – Bahu Karma Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 15.Sakha – Nrtta Hasta Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 16.Cari – Bhumi Cari Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 17.Cari – Akasa Cari Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 18.Saustava Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 19.Karana – Introduction Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 20.Karana – Performance Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 21.Recaka & Sukhalasa Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 22.Padapatha Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 23.Angahara Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 24.Pindi Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 25.Mandala Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 26.Mukhaja Upanga – Griva Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 27.Mukhaja Upanga – Drsti Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 28.Mukhaja Upanga – Aksiputa Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 29.Mukhaja Upanga – Bhru Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 30.Mukhaja Upanga – Adhara Bheda Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam 31.Kalpana – Jatayu Moksham Ragam: – Talam: – Composer: Dr.Padma Subrahmanyam

Add to Wishlist
Add to Wishlist
SKU: SD429 Categories: , Tag:

Description

Karana Prakaranam is a result of Dr.Padma Subrahmanyam’s four decades of research on Bharatamuni’s Natyasastra. This product is both educative and entertaining. It gives practical guidance for training the body, through a pedagogy system that Dr.Padma has revived from the common dance codes, meant for whole of Asia and India in particular. Marga is the path laid down by Bharatamuni giving a common grammer for the whole Continent. The 108 Karanas, which were the basic units of dance, have been demonstrated along with the relevant sculptures interspersed. The Jatayu Moksham choreographed and performed by Dr.Padma, revalidates the strength of Marga dance technique in enabling the past to march into the future, allowing creativity without losing the roots of eastern aesthetic values.

The DVD includes basic training for Angika Abhinaya like Angas, Upangas of the body and face, Hastas, Sthanas, Caris, Karanas, Saushtava, Recakas, Angaharas, Pindis, Mandalas and Kalpana.

DR. PADMA SUBRAHMANYAM
(Awarded Padmasri and Padma Bhushan by the President of India)

Padma opened a new chapter in the history of Bharatanatyam by being the first artiste to present on the stage the Karanas….not only a visual but also an intellectual treat…. remarkable for the plastic fluidity of her movements, the precision of her steps and the richness of her personality – Times of India (1963)

Extract from the citation of Lifetime Achievement Award :-
…..for fundamental research on the foundations of Indian Classical Dance and establishing the unitive thread in the diverse Indian dance forms on the basis of Natya Sastra; for innovative cross cultural research and compositions with Far Eastern and Western styles; and above all, for being a beacon and paramount exponent and torch bearer of the highest in the perennial Indian artistic traditions – Soorya, Singapore (2009)

Backed by genuine desire to preserve for posterity, Swathi’s Sanskriti Series, uses the best of technology to release this product.

Quick Navigation
×

Cart