Sankhya Sadir Margam by Archana Narayanamurthy

199.00

Bharatanatyam SANKHYA SADIR MARGAM Archana Narayanamurthy,ML Proficient amongst the aspiring Bharatanatyam dancers of the younger generation Archana Narayanamurthy for more than a decade had her training and completed her Arangetram under the tutelage of Ms P. SURYAKALA International Dance Director of Temple of Fine Arts ,founded by HISS HOILLINESS SWAMI SHANTANAND SARASWATHI. Further for perusing her perpetual accomplishments Archana came under the guidance of a renowned Teacher and Nattuvanar PANDANALLUR S. PANDIAN. In the 14 years of dancing carrier Archana has received the Prestigious MGR AWARD for best dancer from Music Academy, YUVA KALA BHARATHI from Bharath kalachar and so. SANKHYA SADIR MARGAM” .Sankhya means numeric. Footwork and linear geometry in Adavu patterns are the quintessence of Pandanallur style of Bharatanatyam. Sadir Margam means Bharatanatyam repertoire, dance items performed with a traditional structure in a Bharatanatyam recital.

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Proficient amongst the aspiring Bharatanatyam dancers of the younger generation Archana Narayanamurthy for more than a decade had her training and completed her Arangetram under the tutelage of Ms P. SURYAKALA International Dance Director of Temple of Fine Arts ,founded by HISS HOILLINESS SWAMI SHANTANAND SARASWATHI. Further for perusing her perpetual accomplishments Archana came under the guidance of a renowned Teacher and Nattuvanar PANDANALLUR S. PANDIAN. In the 14 years of dancing carrier Archana has received the Prestigious MGR AWARD for best dancer from Music Academy, YUVA KALA BHARATHI from Bharath kalachar and so. SANKHYA SADIR MARGAM .Sankhya means numeric. Footwork and linear geometry in Adavu patterns are the quintessence of Pandanallur style of Bharatanatyam. Sadir Margam means Bharatanatyam repertoire, dance items performed with a traditional structure in a Bharatanatyam recital.

Contents:

Pushpanjali Followed By Slokam – Gambeera Natai – Adi – Mayavaram T Viswanathan,

Kouthuvam – Rasali – Chatusra Ekam – Mayavaram T Viswanathan

Varnam (panagatri) – Astaragamalika – Rupakam – Tanjore Quartette

Padam (unai Thoodu Anupineen) – Saveri – Adi – Madura Kavi

Kavadi Sindh – Mahakavi Subramanya Barathi

Thillana – Amirkalyani – Adi – Pandanallur Srinivasa Pillai

Mangalam – Madyamavathi – Rupakam – Tanjore Quartette

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